1. Pin Prick
- Allan Kolski Horwitz
- Aug 22, 2024
- 4 min read
Thirty second HIV test: positive or negative status indicated by the number of vertical stripes formed after a drop of blood has been introduced into a special solution contained in a small receptacle.
One line or two lines
never three lines
that’s the way it works
in this truth story
one line
two
lines
blood drips onto the plastic boat
you take a voyage to far off places
dark heaving places where your heart clots
becomes swollen saggy yellowish sacs
one line
two
lines
blood hits the boil
breath blows up a high pressure zone
eyes squirm with salt
a dead lifetime floats into the future
sunrays shine bright
even as they waver
one line
two
lines
only pulse beats away
the beginning or end of hot or cold kisses
seconds in which the mind and the memory
infect soft wet mucous
one line
two
lines
the ship’s doctor readies a white coat
furies leer along the coastline
you will bless or damn this voyage
but you cannot choose where to drop anchor
the choice long made long lived
or was it?
one line
two
lines
the crew’s down below
all those baring your sex
can you remember his or her face in the dark?
the slide into and out of that body
the heat
do you recall any cuts any sores in the days after?
do you recall any scratches?
one line
two
lines
you crouch as waves wash the deck
seek a life boat
where’s your jacket?
the escape hatch is locked
O T L
N I
E W N
L E
I O S
N
E
three’s a crowd in this pathology
that’s how it spreads
but
you can’t stop
2. "Dandelions In The Desert"
A line from a poem by an inmate of ‘Sun City’ (Diepkloof Prison, Johannesburg)
Maximum security: murderers rapists hijackers
minimum sentence: fifteen years
some seek to smuggle their hearts out
smuggle out the bruises
branded in orange suits sterilized monks
divided according to their studies
ability to manage the daily blur of lockup
without shrieks conspiracies to escape
without records of internal mayhem
boxed in with a double-bunk table toilet radio tv
a few books to blot out the shiny concrete walls
boxed by scissor-sharp grill bars across a window
three men together so if one is killed
there’ll be a witness
they watch the clock hands with or without hope
with or without fear
for whatever happened happened
whatever took place at some place at some time
took place at some time
and now each day they must wake to boiled food
coarse and joking warders
smells of a cage the smells of other cages
stiff cocks or dead/soft
they must wake in the nights clutch their blankets
clutch themselves
clutch at the saviour sugared by chaplains
and these clean shaven men bring us their poetry
their cries and rants their whispers
yes some dare to look within the deeds
that cost life cost them their lives
these men bring out their poems
these clean thin smiling men
recite and chant then listen intently applaud ours
they come to dispel dead weight
starched sterile strips of living
these poems made of the guts of those who
took dignity took limbs took trust
took away from unknown strangers
took away from those they loved
those who loved them
yes some have visions of those
they murdered raped savaged soiled
and we sit in the rec room
try to paint faces on the smooth walls
the blank benches
word-seed fertilizing minutes hours months the years
ground out in this prison
we dissect give voice to the karma of crime
embrace the bearers of guns of knives
who carry no horns no jagged finger nails
no scars running from ear to neck
no gaping mouths no hunched backs
no foul breath swamping our noses
and they sit in rows and laugh
shout “bua!” when the mood rises
and the poetry lifts
and the poet entranced entrances
some few dare dream beyond this time
make instead of break
and we wonder at the world tribunal
the judges and the victims
who chorus a relentless refrain
its necessary sentence of retribution and waste
we wonder at this bringing evil and good
to the same table
this yoking of pain to the present
this wheel strapping us to nothing and madness
driving the hope of forgiveness of erasure
of release
we sit in the stale starched recreation room
and for an hour recreate this world
make it a place to live well
and when we leave i am able to ask these marauders
these violators:
“you who kill time for the crimes you committed
can you become the dandelions you wish to be
in this desert?
can you now know yourselves and love others?
can you prove yourselves wrong?
can you prove yourselves right?